• Steve Jablonsky • Bob Badami • Ramiro Belgardt Transformers film soundtrack chronology (2009) Transformers: Revenge of the Fallen – The Score (2009) (2011) Linkin Park soundtracks chronology Transformers: Revenge of the Fallen – The Score (2009) (2010) Transformers: Revenge of the Fallen – The Score is a soundtrack that features the musical score by composer featuring music by for the 2009 live-action film. It was released on June 23, 2009. The score was released as a digital download in the on June 12, 2009. Contents • • • • Track listing [ ] The tracks were announced on June 10, 2009. The following tracks are listed in order: # Track Name Scene and Musical Description Length 1. 'Prime' 'Prime' is the primary theme for the character, as well as the as a whole. Borrowing from Optimus' theme from the 2007 Transformers film, it begins with low arpeggio strings building into a rising melody, with the choir joining the orchestra towards the end.

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Though not used completely in the film, it is used in various scenes including, when dead Optimus Prime arrives at NEST base and when Jetfire tells Sam, Mikaela, Leo and Simmons about the Primes. 'Einstein's Wrong' 'Einstein’s Wrong' serves as the theme to in this film, played with various mallet and percussion instruments, backed up by a set of cellos.

This cue takes motifs from 'Sam at the Lake' (from the previous score), however is much darker in tone than its predecessor. It begins with simmering mallets, with slow, dark strings providing a moving bassline. Halfway through the cue, it builds with the choir chanting the Decepticon theme (dominant in the first film) and fades back slowly into the same simmering mallet/slow string melody. It ends with the cellos slowly fading out. It is primarily used when Sam has his mental breakdown in class, Simmons briefs Sam about what he knows about Cybertronian history on earth and when searching for Jetfire. 'NEST' 'NEST' (Nonbiological Extraterrestrial Species Treaty/Networked Elements: Supporters and Transformers) contains instrumental excerpts from 's hit single, ' that originally appeared on. The cue begins with low electric guitar motifs and hi-hat stabs and quickly follows into the main theme from New Divide.

It builds, with drums in full force, and choir joins in subtly. A few more guitar motifs are mentioned, and then the full orchestra joins in on the New Divide theme. The cue ends with a pulsating guitar theme and a gong stab. Used only when NEST team are searching for Decepticons and when Bumblebee and Optimus Prime save Sam, Mikaela and Leo from Megatron, Starscream and Doktor. 'The Shard' 'The Shard' contains a mixture of two themes: the new Prime theme as well as a reworked theme from the track 'The All Spark', found in the previous score. It begins with the string arpeggio found in the cue of 'The All Spark'.

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It generally builds into the 'All Spark' theme being played backwards as it represents the evil found in the last piece found on Earth. It then builds further into a four-note string and synthesizer pulse, followed quickly by a militaristic brass and drum melody. It ends with the strings increasing, followed by a low synthesizer.Used many times in the movie including:when Sam drops the shard of the all spark into the kitchen and creates kitchen bots, when Arcee and Sideswipe chase Sideways, when Ravage steals the shard from Diego Garcia, when Alice tries to kill Sam, when Grindor kidnaps Sam and when Bumblebee fights Rampage. 'The Fallen' 'The Fallen' cue serves as the main theme for the main antagonist, ' as well as the in this film. The track begins with a low synthesizer beat, slowly building. It quickly goes into a surrealistic version of the Fallen's theme, a four-note harmonic melody, using a mixture of human voice and synthesizer.

It builds, and is followed by hard electronic pulses, found in the Decepticons' cue from the first film, ending with a bass roll. Used when Gallaway debates Optimus Prime at NEST HQ, The Fallen and Megatron talk about their next course of action aboard the Nemesis and when Doktor examines Sam. 'Infinite White' 'Infinite White' is a suite taking cue from the Optimus theme found on the first track. It begins with a human voice (provided by artist ) singing and/or chanting Prime’s melody. It builds with slow sweeping percussion and drums. The percussion soon ends, and a full string suite begins taking form from the All Spark theme. It ends with Middle Eastern-esque technological tones.